‘A Woman’s Life’ Review: Finely Textured Character Study Does More Than What It Says on the Tin, Thanks to Léa Drucker’s Superb Performance

“Anaïs in Love,” the 2021 debut feature by writer-director Charline Bourgeois-Tacquet, was a sunny portrait of idealized French womanhood that turned cooler and stranger the longer you stayed with it: Its title character, outwardly a maddeningly winsome ingenue of a particularly Gallic stripe, revealed layers of insecurity and instability we didn’t see coming, and the […]

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Variety

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Karla Sofía Gascón on Her Villainous Turn in Western ‘Trinidad,’ the Flagship Title From Spain’s ISII

The star discusses playing "a crippled, bitter villainess with a deep resentment toward progress" in her first big role since 'Emilia Pérez' and that Oscar season controversy, with CEO Silvia Carvalho touting the film as "distinctive" and a "statement" title heading into the company's first Cannes market.

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Deadline

‘A Woman’s Life’ Review: Léa Drucker Shines In Compelling Portrait Of A Doctor Who Saves Lives While Trying To Keep Her Own Intact – Cannes Film Festival

Premiering in competition tonight at the 79th Cannes Film Festival is one of this year’s French entries, and this new film from Charline Bourgeois-Tacquet, one of several female directors in this year’s lineup, is a strong portrait of the many facets of one woman’s life which may well be why that has become the English […]

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Hollywood Reporter

‘A Woman’s Life’ Review: Léa Drucker Seals Her Status as One of France’s Best Actresses in This Perceptive Portrait of a Surgeon at a Crossroads

Charline Bourgeois-Tacquet's Cannes competition entry revolves around a 55-year-old Parisian doctor who begins questioning her life choices after a novelist takes an interest in her.

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